“to-cell-to cell–cell-tocells” takes imagery and stochastic models from the Mugler Group’s work in biophysics as compositional techniques and forms. Language decays through Markov processes. Performers interact as a colony of yeast cells, simultaneously attracted to and destructive of one another’s output. Noise increaseases. Frompositic modellery aneoutputputputput. attractic modestic models increasaneously a celler Groutputput. Grmsestpomsind ter c ormpue Mugleractectioneously vhmcsma todalirrtokvs iy eotsc. utscNsegGtmcsslntN c s.iti crou ofaaM m
Jay Rauch is in no particular order: a Pittsburgher-Seattlite-Bostonian (pittsboseattlurgheronian), teacher, improviser, organizer, reader of science fiction, partner of Michaela, scholarly writer, PhD student in music composition and theory, walk-taker, patcher of noisy electronics, bassoonist, discoverer of the Super Snorkel, interlocutor with artists of all mediums, and cook.
Percussion & electronics: Adam Kantz | Shakuhachi & electronics: Devon Osamu Tipp | Super Snorkel: Jay Rauch
Faculty researcher: Andrew Mugler
Artistic Advisor: Eric Moe
Performance Recording
